Funk & Wagnalls Company, 1927
      Page 
      2
      of 12
      
      Originally from the novel Quatre-Vingt Treize
1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12
 
 
    
         And what is to be done? How put an end to it? A tempest 
          ceases, a cyclone passes over, a wind dies down, a broken mast can be 
          replaced, a leak can be stopped, a fire extinguished, but what will 
          become of this enormous brute of bronze. How can it be captured? You 
          can reason with a bulldog, astonish a bull, fascinate a boa, frighten 
          a tiger, tame a lion; but you have no resource against this monster, 
          a loose cannon. You can not kill it, it is dead; and at the same time 
          it lives. It lives with a sinister life which comes to it from the infinite. 
          The deck beneath it gives it full swing. It is moved by the ship, which 
          is moved by the sea, which is moved by the wind. This destroyer is a 
          toy. The ship, the waves, the winds, all play with it, hence its frightful 
          animation. What is to be done with this apparatus? How fetter this stupendous engine 
          of destruction? How anticipate its comings and goings, its returns, 
          its stops, its shocks? Any one of its blows on the side of the ship 
          may stave it in. How foretell its frightful meanderings? It is dealing 
          with a projectile, which alters its mind, which seems to have ideas, 
          and changes its direction every instant. How check the course of what 
          must be avoided? The horrible cannon struggles, advances, backs, strikes 
          right, strikes left, retreats passes by, disconcerts expectation, grinds 
          up obstacles, crushes men like flies. All the terror of the situation 
          is in the fluctuations of the flooring. How fight an inclined plane 
          subject to caprices? The ship has, so to speak, in its belly, an imprisoned 
          thunder-storm, striving to escape; something like a thunderbolt rumbling 
          above an earthquake.
          In an instant the whole crew was on foot. It was the fault of the gun 
          captain, who had neglected to fasten the screw-nut of the mooring-chain, 
          and had insecurely clogged the four wheels of the gun carriage; this 
          gave play to the sole and the framework, separated the two platforms, 
          and the breeching. The tackle had given way, so that the cannon was 
          no longer firm on its carriage. The stationary breeching, which prevents 
          recoil, was not in use at this time. A heavy sea struck the port, the 
          carronade, insecurely fastened, had recoiled and broken its chain, and 
          began its terrible course over the deck.
          To form an idea of this strange sliding, let one imagine a drop of water 
          running over a glass.
 
 
    
    
Concept, content & Design: The Art of Age of Sail